Tell us about your beautiful costumes - who makes them and how?
Our costumes are a big part of Boss Morris, we collectively put a lot of time and consideration into them. The majority of Boss are artists in various ways. We are seamstresses, sewers, Illustrators, sculptors, jewellery makers and florists to name a few. We work together to come up with ideas, drawing from all kinds of inspiration, local history or old crafts. Especially in connection with Stroud, where the majority of us live. We tend to work in a slightly manic factory line type way, as we generally have a deadline to get them done for.
What about your headgear? The animal masks and crowns?
Our traditional Headdresses are made by Inna Chonka who is based in Ukraine. They are all handmade especially for us. We love them a lot, it means a lot to us to support a traditional craft from another country and helps brings different influences into our morris tradition.
The animal masks or ‘beasts’ as we call them, originated from Alex Merry (co-founder of Boss). They are creatures that often accompany our performances and add another layer to the morris dancing. They really give our troupe an extra presence and are sometimes used in the dances. Since then, Maddy McLeod, Rhia Davenport and Mila Harris-Mussi (other Boss dancers) have gone on to make other beasts based on mythology and personal connection to particular animals.
And your makeup? How did you come to use such brilliant colours?
Our make-up is an added fun part of our costumes. They are very much organic looks that sometimes reflect the event we’re at with regards to colours. At the summer solstice we’ll use designs and colours that reflect the sun for example. Many morris sides use make up as a relatively standard accessory to costume, we use face paint as another means of creativity, to modernise it, make it feel relevant and original to us. It’s like a part of our costume that we can constantly change and fit to our mood.
It’s so wonderful to see you all contribute to making the music you dance to - where do you find it?
A significant part of the music and dances we do are quite traditional really. Many come from the ‘black book’, morris dances and tunes collected by folk song collector Cecil Sharpe. But in recent years, we have worked on choreographing our own dances with traditional and new tunes. We’re very fortunate to have three amazingly talented folk musicians that play for us (Miranda Rutter, Rob Harbron and Sam Sweeney) and are very much part of Boss. They have adapted many of the tunes and have even written new tunes for new dances. We have also remixed morris tunes, when the event is right; using electronic music is another avenue we’ll continue to explore.
Along with the music, we like to keep our performance engaging and fun. We like to build the atmosphere while dancing with occasional whoops and shouts. We think it reinforces our dances, showing that we are having fun and that we are putting everything into it.
What about your choreography? How much is traditional and how much do you invent?
We have now got to a point where we don’t just want to be dancing to the same notated version as per 100 years ago. We want to Boss-ify them - in the traditional notion that all folk traditions evolve and change so they mean something to person that is dancing or playing music at the time. A lot of the changes we make (much like the costumes) come from a collaborative approach. Someone will often make a suggestion of how to adapt part of the dance whilst we are learning it in real time. We’ve also worked with experienced morris gurus to give us another perspective and suggest other ways to develop the dances to suit us as dancers.
What’s the best thing about dancing with Boss Morris?
There are so many amazing things about Boss. We love the solidarity we have a woman’s collective especially, it’s a really empowering thing and has taken us to places and discussions on folk traditions, costume and feminist issues within morris and beyond. It’s an amazing way to keep us fit, with an amazing group of talented people with so many creative talents. We’ve done so many incredible gigs, events and trips, it has given us so many unusual experiences, in the pursuit of spreading the morris word as we see it.
But ultimately, while we take it seriously in the time and energy we all commit to it, we really do have a lot of fun with it and don’t take it all too seriously.